A couple of fantastically messy paint play ideas

Everybody loves paint. Aside, perhaps, from the parents of very well dressed children, but they can learn! Paint is never boring. It provides visual, tactile and olfactory sensory stimulation, it can be mixed, thrown, experimented with and can be used to transform the play space. Paint can be a play thing in itself or be a part of a larger creative and messy play. Today I thought I’d share a couple of my favourite paint based play ideas I’ve used in the playground.

Car Paint Shop

You know those orange and yellow fisher price cars which have been around forever? Well, they don’t have to be orange and yellow anymore! Here I set up a ‘workshop’ area using a tarp and some parachutes and just left the cars there with a bunch of paint. This went down incredibly well. Its messy, it uses something familiar and it allows a sense of getting-away-with-something. A bonus of this was towards the end of the day we took the cars out and turned it into a car wash activity with sponges, bubbles and plenty of water.

Moon Boots

Here I got hold of a bunch of big yellow car wash sponges and attached them to the bottom of different sized pairs of wellies with elastic. I wanted to create a sensory experience with paint that the children probably hadn’t experienced before. The sponges changed how they had to balance which gave it a challenge i hadn’t anticipated. I laid out trays of paint and let them get stuck in. Like the activity above this one had a sense of getting-away-with-something as they got to stand in paint and cover the playground with it.

Diagrams and Laughter

laughter vd

. A drawing of a Venn diagram with three circles. The title is “Expression”. The circles are labelled “Emotional”, “vocal” and “physical”. The middle of the diagram where all the circles meet is labelled “laughter”.

I wanted to take a moment today to share this image. It’s a diagram I drew a couple of years ago and come back to it often when thinking about communication. It shows how laughter uses all our methods of expression at once, its emotional, physical and verbal.

I once worked with a kid who was extremely verbal but with little language use or understanding. Every day I saw her we’d sit down and i’d tell her the- always dramatic, very flamboyant- tale of how i’d got to work that day. The thing was, despite probably understanding little of the things I was saying, she always laughed in the right places. I loved these mornings and I love how humour has a way of transcending language and so many other potential barriers to communication.

I often think the most uninhibited people will be amongst strangers is when laughing. Perhaps it has something to do with the way it occupies all these means of expression at once and perhaps it’s also the way it brings down these communication barriers, makes us less self conscious or concerned and more open to that joy and connection.

For the love of Cardboard! ; Tips for junk modelling

At 24 years old the simple cardboard box has never lost its appeal for me. With my noble partner-in-creation duck tape and sometimes associates, gaffa, sello and duct (for the pedants), anything is possible. Fortunately most kids seem to feel the same way. So, here are some tips for anyone whose ever felt a little intimidated by the possibilities or pressures (“can we make a dinosaur submarine robot with fairy wings!?” etc.) of junk modelling!


A man stands holding a large water pistol wearing a space helmet and shoulder suit made of cardboard, bubble wrap and tape

1.Break what you want to make down into key shapes. Then take the biggest of those and start there, this can almost always be a simple box shape! For example if you’re making a rocket you’ll maybe start with a tall box shape and then add fins, cones, fire etc.  It’s much easier to work this way and if you’re working with a group of kids you can then ask what they’d like to add. But always start big and work out to the smaller parts. You’ll end up with something sturdier and the composite parts will be made to purpose.

2. Work with the shapes already in the materials. In most piles of junk you will find cardboard with ready made corners and folds. Don’t cut these up to create new corners and folds, figure out how you can incorporate existing ones into your model. You’ll make something sturdier with less sweating and suppressing swearing.

3.Glue OR Tape. It’s time to make a choice folks. That is all I’ll say.

4.Paint/decorate after- always build the structure first- or risk compromising its integrity

5.Let go and let the kids ultimately lead the way. The joy of junk modelling is the short cycle of creation and destruction! Embrace it and have fun, you can always tidy up later.


This is an alien giraffe. The kid who made it said it was an alien giraffe, so that’s what it is, and it’s perfect.

And for a bit of inspiration, check out this kid and his creations.


Playful Communication: the joys of the ‘non-functioning’

“Communication is about our ability to share our lives with other people”            

Working in play, particularly in disability and additional needs settings, has blown open my understanding of what communication is. The quote above from therapist and author Phoebe Caldwell is, to me, is the best explanation of where I’ve landed. Most definitions of communication I see or hear focus on the imparting and receiving of information, they usually also mention speech and writing as how this can be done. I’m not suggesting these definitions are invalid or wrong, just that I feel they largely miss the point; sharing. Our communication is the reason we are able to exist alongside each other and the effectiveness of our communication is what determines how harmoniously we are able to do this. It’s not just the imparting and receiving of information that makes up communication, it’s that bit in the middle, the bit where you are existing in the same moment as another person and choosing to explore that together. That’s where the truth and joy of communication lies, not in the mechanics, in the sharing.


Painting by Keith Haring

Speech is so often prioritised and seen as the ultimate way of communicating, and, that’s because for many, it is. Speech seems to come fairly naturally to most and from what I understand feels natural too, easy and satisfying. But not for everyone and if you take anything from this post I hope it’s this; speech is not the only way, the best way or the most ‘human’ way to communicate. When I’m able to communicate with someone without speaking I feel at my most content, connected and understood. People often mistake quietness or lack of conversation as a lack of things to express or desire to communicate. That’s not true, it’s perhaps just that talking, to them, is the most natural way to communicate and connect with people and therefore they assume, to everyone. I can speak, often very well, but talking often feels like a means to an end rather than an end itself, it’s for that ‘functional’ bit of communicating rather than that expressive, joyful sharing bit. Writing is different for me, when I’m writing in a way that feels natural it feels much closer to drawing than speaking.

De-prioritising speech is especially important in my line of work. A lot of the kids I work with don’t speak, can’t speak or perhaps speech just isn’t a form of communication that comes natural to them. That’s not to say speech isn’t important or useful, just that it is a way of communication that has no more or less value than any other kind; the way we jump or rock, the noises we make, images we create, the faces we pull, the way we move through and change our environment, the pauses we take to breathe and be, sharing touch and laughter and any other way you can think of that allows us to express ourselves. When kids face challenges in their ability to communicate we put a lot of emphasis on teaching and enabling them to communicate functionally, in doing this we also need to remember that a person’s inability to communicate is equally our inability to understand them. Whilst we create tools and put time into giving a child a way to ask for the toilet or a snack we also need to take the time to notice and respond to all those kinds of communications a person uses as they try to share their world. Ignoring these or dismissing these as less important than that ‘functional’ communication can cause us to isolate people in our attempt to understand them.

One of the many reasons I love working in play is that the play space is an environment where different forms of communication are already valued and recognised. It’s allows for, encourages and often even priorities those non-functional or non-verbal communications. In this way it creates a beauty and authenticity I think we could all benefit from if we took the time to explore it.

Phoebe Caldwell is an author and practitioner who works with people considered to have severe communication difficulties. She uses the technique ‘intensive interaction’ and has written extensively on the subject. Here’s her website where you can find more information including information in ‘easy-read’ formats; http://www.phoebecaldwell.co.uk/